Índice de críticas

A.

A Hidden Life (Terrence Malick, 2019)

A Land Imagined (Yeo Siew Hua, 2019)

A Metamorfose dos Pássaros (Catarina Vasconcelos, 2020)

A Month of Single Frames (Lynne Sachs, 2019)

A Russian Youth (Alexander Zolotukhin, 2019)

A Spell to Ward Off the Darkness (Ben Rivers & Ben Russell, 2013)

A Tongue Called Mother (Eva Giolo, 2019)

A Yangtze Landscape (Xu Xin, 2017)

Advaita (Nipun Makkar, 2019)

Akira (Katsuhiro Ôtomo, 1988)

Altas Cidades de Ossadas (João Salaviza, 2017)

Andrey Tarkovsky. A Cinema Prayer (Andrey A. Tarkovskiy)

Ang Hupa (The halt, Lav Diaz, 2019)

Anoche (Stefano Miraglia, 2017)

Antler (Atoosa Pour Hosseini, 2018)

Antología de un pueblo fantasma (Denis Côté, 2019)

Anxietus (Aaron Cabrero Jr., 2019)

Apparition (Ismaïl Bahri, 2019)

Apiyemiyekî? (Ana Vaz, 2019)

Aquí y allá (Melisa Liebenthal, 2019)

Aragane (Kaori Oda, 2015)

Ascensão (Pedro Peralta, 2016)

At Sea (Peter Hutton, 2007)

Atlantis (Valentyn Vasyanovych, 2019)

Atlas (Antoine d’Agata, 2013)

Atmospheric Pressure (Peter Treherne, 2019)

Avant d’oublier Héliopolis (Valentin Noujaïm, 2019)

B.

Beginning (Dea Kulumbegashvili, 2020)

Bestiaire (Denis Côté, 2012)

Blanco en blanco (Théo Court, 2019)

C.

Carelia: Internacional con monumento (Andrés Duque, 2019)

Cavalo dinheiro (Pedro Costa, 2014)

Cemetery (Carlos Casas, 2019)

Centaur (Aleksandra Niemczyk, 2015)

Cézanne (Luke Fowler, 2019)

Coming Attractions (Peter Tscherkassky, 2010)

Cosmopolis (David Cronenberg, 2012)

Cut to the Chase (Dean Kavanagh, 2015)

D.

Da xiang xi di er zuo (An Elephant Sitting Still) (Hu Bo, 2018)

DAU. Natasha (Ilya Khrzhanovsky & Jekaretina Oertel, 2020)

Dehesa, el bosque del lince ibérico (Joaquín Gutiérrez Acha, 2020)

Démanty noci (Jan Němec, 1964)

Dersu Uzala (Akira Kurosawa, 1975)

Desperté en un lugar sin sombras (Víctor Luiz Riona, 2020)

Desterro (Maria Clara Escobar, 2020)

Disquiet (SJ. Ramir, 2011)

Drvo (André Gil Mata, 2018)

Dukhovnye golosa (Spiritual Voices) (Aleksandr Sokurov, 1995)

E.

Early Years (Morgan Quaintance, 2019)

Ecce Homo (Dimitar Kutmanov, 2014)

Elégia (Elegy) (Zoltán Huszárik, 1965)

El año del descubrimiento (Luis López Carrasco, 2020)

El espíritu de la colmena (Víctor Erice, 1973)

El lago del ganso salvaje (Diao Yinan, 2019)

El movimiento (Benjamín Naishtat, 2015)

El silencio es un cuerpo que cae (Agustina Comedi, 2017)

El Senyor ha fet en mi meravelles (Albert Serra, 2011)

Elieli v1. (Love After Love) (Víctor Soho, 2019)

En Plein Air (Daniel&Clara, 2020)

Erde (Nikolaus Geyrhalter, 2019)

Estaba en casa, pero… (Angela Schanelec, 2019)

Eter (Krzysztof Zanussi, 2018)

Ettrick (Jacques Perconte, 205)

F.

Fajr (Lois Patiño, 2017)

Falling (Viggo Moertensen, 2020)

Fausto (Andrea Bussmann, 2018)

Fortuna (Germinal Roaux, 2018)

Fragmentos en la vida de un músico (Pablo Chavarría Gutiérrez, 2020)

G.

Ghost in the Shell 2: Innocence (Mamoru Oshii, 2004)

Ghost Nursery (Brandon Wilson, 2019)

Gora (Stefan Malešević, 2016)

H.

HÄXAN (EORÐESLAJYR, 2016)

He venido a leer la noche (Manuel Férnandez-Valdés, 2019)

Her Name Was Europa (ojoboca, 2020)

Her Socialist Smile (John Gianvito 2020)

Heimat Is a Space in Time (Thomas Heise, 2019)

Hele sa hiwagang hapis (Lav Diaz, 2016) 1

Hele sa hiwagang hapis (A Lullaby to the Sorrowful Mystery, Lav Diaz, 2016) 2

Home Far Away (Dimitar Kutmanov, 2018)

I.

Impressions (Jacques Perconte, 2012)

Introduzione a’lloscuro (2018)

IWOW: I Walk On Water (Khalik Allah, 2020)

J.

Jiíbie (Laura Huertas Millán, 2019)

Jonaki (Aditya Vikram Sengputa, 2018)

Jyoti and Joymoti (Mehdi Jahan, 2018)

K.

Krisana (Fred Kelemen, 2005)

L.

L’Ofrena (Ventura Durall, 2020)

La casa lobo (Joaquín Cociña & Cristóbal León, 2019)

La espada me la ha regalado (Miriam MArtín, 2019)

La imagen arde (Lois Patiño, 2013)

La flor (Mariano Llinás, 2018)

La tierra aún se mueve (Pablo Chavarría Gutiérrez, 2017)

Leviathan (Julien Castaing-Taylor & Verena Paravel, 2012)

Light is Calling (Bill Morrison, 2004)

Liminal (Lav Diaz, Philippe Grandrieux, Manuela de Laborde, Óscar Enríquez, 2020)

Lluvia de jaulas (César González, 2018)

Longa noite (Eloy Enciso Cachafeiro, 2019)

Lúa vermella (Lois Patiño, 2020) 1

Lúa vermella (Lois Patiño, 2020) 2

Luminous Variations in the City Skies (Giuseppe Spina, 2019)

Luminous Void: Docurama (Rouzbeh Rashidi, 2019)

Lux Æterna (Gaspar Noé, 2020)

M.

Malembe (Luis Arnias, 2019)

Malmkrog (Cristi Puiu, 2020)

Maɬni – Towards the Ocean, Towards the Shore (Sky Hopinka, 2019)

Markings 1-3 (Eva Kolcze, 2011)

Meihōdō (Jorge Suárez-Quiñones Rivas, 2020)

Mi amor (Aleksandr Petrov, 2006)

Monos (Alejandro Landes, 2019)

Montañas ardientes que vomitan fuego (Samuel M. Delgado & Helena Girón, 2016)

N.

Nachmittag (Angela Schanelec, 2007)

Night Horse (Jeroen Van der Stock, 2019)

Night on the Riverbank (Toby Tatum, 2019)

Noite perpétua (Pedro Peralta, 2020)

Nostalghia (Andrei Tarkovski, 1983)

Notas, encantaciones: parte 1 (Alexandra Cuesta, 2020)

Notes From a Journey (Daniel Fawcett & Clara Pais, 2019)

Now, at Last! (Ben Rivers, 2018)

O.

O que arde (Oliver Laxe, 2019)

Oh! Uomo (Yervant Gianikian & Angela Ricci Luchi, 2009)

On Floating Bodies (Sibi Sekar, 2020)

Once Removed (Lawrence Abu Hamdan, 2019)

Ordet (Carl Theodor Dreyer, 1955)

Outer Space (Peter Tscherkassky, 2000)

Overseas (Sung-A Yoon, 2019)

P.

Para cuando oscurece (Anocha Suwichakornpong, 2016)

París #1 (Oliver Laxe, 2008)

Playback. Ensayo de una despedida Agustina Comedi, 2019)

Polustanok (Sergei Loznitsa, 2000)

Potamkin (Stephen Broomer, 2017)

Posetitel muzeya (Konstantin Lopushansky, 1989)

Present.Perfect. (Shengze Zhu, 2019)

Proshchanie (Elem Klimov, 1982)

Q.

Qué difícil es ser un dios (Aleksei German, 2013)

R.

Reserve (Gerard Ortín Castellví, 2020)

Return of Suspicion (Dean Kavanagh, 2014)

Ruine (Mathilde Philippon-Aginski & François Darrasse, 2019)

S.

Sakhisona (Prantik Narayan Basu, 2017)

SANTA TERESA (Alessandro G. Capuzzi & Emanuele Dainotti, 2016)

Samouni Road (Stefano Savona, 2018)

Scorpion’s Stone (Maximilian Le Cain, 2018)

Scandinavian Silence (Martti Helde, 2018)

Season of the Devil (Lav Diaz, 2017)

She Dies Tomorrow (Amy Seimetz, 2020)

Sleep Has Her House (Scott Barley, 2017)

Sobre lo infinito (Roy Andersson, 2019)

Sofía (Carlo Sironi, 2009)

Sole (Carlo Sironi, 2019)

Stalker (Andrei Tarkovski, 1979)

Szürkület (György Fehér, 1990)

T.

Tabiate bijan (Sohrab Shahid Saless, 1974)

Ta peau si lisse (Denis Côté, 2017)

Technoboss (João Nicolau, 2019)

Tenshi no tamago (Angel’s Egg) (Momoru Oshii, 1985)

The Butterfly (Toby Tatum, 2020)

The Devil Had Other Plans (Acts I, II & III) (Guli Silberstein, 2020)

The Image in the Stone (Eva Kolcze, 2019)

The Kid (Charles Chaplin, 1921)

The Last Were Buried Here (Annette Philo, 2019)

The Secret Garden (Phil solomon, 1988)

The Trouble with being Born (Sandra Wollner, 2020)

The Woman Who Ran (Hong Sang-soo, 2020)

Tikhiye stranitsy (Whispering Pages) (Aleksandr Sokurov, 1994)

Time of Moulting (Sabrina Mertens, 2020)

To the Moon (Tadhg O’Sullivan, 2020)

Tommaso (Abel Ferrara, 2019)

Transsilvània (Ramón Balcells, 2014)

Twelve Seasonal Films (Jorge Suárez-Quiñones Rivas, 2019)

U.

Un violent désir de bonheur (Clément Schneider, 2018)

Uniform (Diao Yinan, 2003)

Uzel (Aleksandr Sokurov, 1999)

V.

Valdediós (Elena Duque, 2019)

Vitalina Varela (Pedro Costa, 2019) 1

Vitalina Varela (Pedro Costa, 2019) 2

Vitalina Varela (Pedro Costa, 2019) 3

W.

Walker (Tsai Ming-liang, 2012)

We Are Without (SJ. Ramir, 2020)

Weary Waves (Sibi Sekar, 2020)

What is This Land? (James A. Riley, 2019)

White Epilepsy – Meurtrière – Unrest (Philippe Grandrieux, 2012, 2015, 2017)

Wishing Well (Sylvia Schedelbauer, 2018)

X.

Y.

Z.

Zerkalo (Andrei Tarkovski, 1975)

Zimsko sunce (Pilar Palomero, 2017)